Bob Dylan 9606-7 in Germany
Subject: Review of Berlin-Cottbus From: Ragman10 (firstname.lastname@example.org) Date: 17 Jul 1996
By Josh Nelson
June 17, 1996- Tempodrom, Berlin The drive from Frankfurt to Berlin took close to eight hours and put myths of German efficiency to shame. The words "road construction" took on a whole new meaning. Emerging from the car and heading towards the Tempodrom, we heard a soundcheck of what sounded like a barely recognizable, screwed up version of Positively 4th Street, we would soon learn that it was Shake Sugaree. I read somewhere that John Bauldie referred to the Tempodrom as a "hideous tent", he was not far off. After waiting outside and bathing in the beautiful German sunlight for an hour or so, we (Stephan, Daniel, and myself) headed in. I secured a place about six rows from the stage, on JJ's side. It was not until Watchtower that I realized that everytime Bob moved backwards and played a guitar solo, he was blocked from my vision by a series of poles that passed directly in front of the stage. The sound was good, but visually, it was an awful place for a show. Anyway, here's the setlist (abbreviations are my own...cue sheet can be found on Bill Pagel's page). Drifter's Shake Sugaree Watchtower 4th Street Riverflow Silvio Tangled Love Minus Zero Friend of the Devil Seeing the Real You Queen Jane Maggie's Farm Alabama Back Pages Rainy Day I thought it was a very good show. Certainly not excellent, but strong and solid. My highlights were, of course, Shake Sugaree, and a very slow, beautiful (same arrangement as 1995) Queen Jane. Sugaree sounded like a simpler, slower, less bluesy version of If Not For You. Bob sang all four verses slowly and clearly and, given that none of us recognized the song, we were all in ecstasy. I guess the ultimate compliment is that he sang it like it was one of his own songs, and he certainly did. The last verse of My Back Pages was also something to behold. The whole song seemed to work as a build up to an extremely passionate, powerful closing series of short, seemingly piercing lines. Bathed by the traditional Back Pages, red light, it was one of those transcendent moments. Berlin was also the first show where Bob wore his now legendary white shoes. To be specific, they are white loafers with little brass buckles. Personally, I don't really care what he wears, but these shoes were distracting! Anyway, more about them later. June 19, 1996- Alte Oper (Old Opera House), Frankfurt Drifter's Pretty Peggy-O- Watchtower Under the Red Sky I'll Be Your Baby, Tonight Silvio Tangled Masters of War Don't Think Twice Seeing the Real You She Belongs to Me 7 Days Alabama Times Rainy Day Taking one look at Bob's outfit, I should have known that we were in for a long show. Anyway, Zimmy emerged wearing a white lemey shirt, cream colored trousers (with flowers down the side), and the white shoes. In short, he looked like my dentist. The band, seemingly on cue, wore matching light blue jackets and pants. Let's just say that it was tough to take anything that they did seriously. The show was the worst that I had ever seen. The first electric set was merely average. Even Peggy-O- (one of my favorites) was just OK. The second electric set was even worse. There was so little enthusiasm! Real You was going so badly that, at one point, Dylan stopped playing his guitar and just walked around the stage staring at each band member. JJ kept smiling and it appeared that Bob just kept getting angrier. Dylan forgot the second line of Times, bringing back memories of that fateful day in London, 1991, when he proudly asked, "How many seas must a man walk down?"(thanks Homer). I've read RMD reviews that praised the show, but no one that I spoke to thought it was any good. Well, Bobby's allowed an off night, right? June 20, 1996- Vredenburg Music Center, Utrecht The Vredenburg is the greatest place to see a concert that I have ever had the pleasure of visiting. Located inside a shopping center, it is the exact opposite of what you would expect from the outside. Directly in front of stage there is room for about ten rows of standing. Behind, there are seats. They are shaped in the form of an octagon, and rise at a steep angle. Thus, there are none that are very far from the stage. It also provides the viewer with the chance to sit at some very interesting angles (for example, to the side of the stage, looking over Bob's shoulder, out at the rest of the crowd). The theater holds 1700 and is built of all wood (thus, great sound). The first show in Utrecht was the only one for which I did not take notes, but here are a few reflections. It was clear that Bob loved the venue (he tried to move a second show there last year). Mama, You've Been On My Mind, was my personal highlight. It seems that, on some nights, this songs can reach a faster, seemingly driving level, and on other nights it wallows in mediocrity. Well, the version in Utrecht was definitely in the first category. The final two verses were much faster than the first, and Tony Garnier had that "look at me as I pound the bass, we are doing something really cool now" smile. Bob took off with his guitar solo and I was lost in the moment. It was a hint of what was to come the next day. June 21, 1996- Vredenburg Music Center, Utrecht Drifter's Long Black Coat Watchtower 4th Street Tom Thumb's Blues Silvio Boots of Spanish Leather Desolation Row Friend of the Devil Ballad of a Thin Man She Belongs to Me 7 Days Alabama Back Pages Rainy Day This was Larry's night...but first, the show. 4th Street had a completely new arrangement. Unrecognizable 'till Bob started singing, a certain EDLIS tours agent turned to me and said "Born In Time"...I wish! It was great to hear something other than the Tambourine/Tangled duo in the first acoustic spot, and Thin Man was another surprise. Desolation Row was simply brilliant and even contained a harp solo. Overall, the show was simply excellent. Now, on to those marvelous moments between She Belongs and 7 Days. It was simply the most amazing thing that I have ever seen at a Dylan show. Bob found Larry in the crowd, said hello to him from the stage (referring to him as "The Chopper"), asked him why he wasn't in Cincinnati/Atlanta (Cleveland, Bobby?), had the crowd give him a hand, and said TWICE that Larry had seen him play more times than he had. What is important to understand is that this exchange was NOT a brief twenty second thing...it went on over the course of something like two minutes (check the tapes). We were all simply in shock. Then, after 7 Days, Bob came over and slapped only Larry's hand. After the encores Bob slapped five with fans in the front rows. Quite simply, it all seemed like an American show. June 22, 1996- Vorst Nationale, Brussels Drifter's Senor Watchtower Shelter I Don't Believe You Silvio Tangled Love Minus Zero Don't Think Twice Thin Man Takes A Train Maggie's Alabama Times Rainy Day This show surpassed Frankfurt in terms of Bobby's ridiculous clothing. He wore his tight, silver pants, white shoes, and a silver shirt. He looked more like an astronaut than my dentist! Opinion on this show varied quite a bit among people with whom I spoke. I thought that the show was very strong. I Don't Believe and Thin Man both really rocked and the new arrangement of Shelter (faster than 1995 bit slower than 1994...it changes every six months) was quite well done. Others, however, said that it seemed like a tired show. I must admit that from my spot in front, I could not hear the vocals all that well, so they may be a better source. Lastly, Dylan once again said hello to Larry during the band introductions. It was just a brief hello to "my friend The Chopper", but it left many of us wondering if this was to become a nightly thing... One other thing: I saw on RMD some people discussing Lambchop. Let me just say that he is the greatest person with whom to watch a show! He never says anything during the songs, and shuts up others who do. He cares more about Dylan than just about anyone else, and the shows are sacred experiences for him. June 24, 1996- Differdange I wasn't there...argh!!!!!!!!!!!!! It is, however, important to note that, for the first time on tour, Bob opened with Down In The Flood. Also, for the first time, he wore something other than white shoes (black and white boots). This leads to my tour long theory. Coincidence or not, for the rest of the tour, you could figure out the opener by looking at Bob's shoes...I'm totally serious. White shoes= Drifter's or Pillbox (once= Hyde Park) Boots= Flood or To Be Alone With You or Pillbox The second half of the shows that I saw (from Manheim on) had far better/more interesting setlists than the first. Also, during these shows, Bob opened with songs other than Drifter's (Ferrara and Pistoia are the exceptions. At each show Bob opened with Drifter's...not surprisingly, these were the only shows among the group where he wore his white shoes!) . Thus, it got to the point that, on many occasions, you could look at Bob's shoes and know for what kind of show you were in store. Well, maybe not exactly, but you could come pretty close. I shared my theory with the surrounding fans in Salzburg. As Bob walked on stage, Andreas (a friend) started screaming, "He's wearing the boots! He's wearing the boots!"...that night we heard both Down in The Flood and the only European version of This Wheel's on Fire. Thanks for wearing the boots Bobby! June 26, 1996- Empire Theater, Liverpool Drifter's Black Coat Watchtower 4th Street Riverflow Silvio Tangled Masters Don't Think Twice Stuck Inside of Mobile She Belongs To Me Maggie's Farm Alabama Back Pages Rainy Day North Country It was tough to enjoy the show when the setlist could be viewed as a cruel joke. By She Belongs to Me, I was sure Bobby had no idea he was in the UK. This was the place of the fall of Just Like A Woman, Tangled, and Maggie's, just the year before. It did not seem fair the Differdange got Visions and we got the ever popular (and so seldom heard) trio of Tangled/Masters/Twice. Anyway, most people there considered it a warm up for the second night. Al Kooper was on the organ, but he was audible on maybe two songs. It seemed a bit ridiculous to have him playing when nobody could hear him. His one audible solo (during 4th Street) was actually quite nice. For most of the show he just sat there, looking sort of bored, watching as JJ showed him chords. I have no idea why there were encores...it simply was not that loud. There was that awesome moment before North Country when Bob played a chord and sang "Yesterday"...go Bobby go. June 27, 1996- Empire Theater, Liverpool Pill Box Hat Tonight, I'll Be Staying Watchtower Red Sky Tom Thumb Blues Silvio Tambourine John Brown Ramona Thin Man Masterpiece 7 Days Alabama Ain't Me, Babe Rainy Day Awesome! Simply awesome. The show had no low point and was probably the best of all that I saw. Al Kooper was inaudible again, but it was for the better. Ballad of a Thin Man was something to be seen. Bobby invented a new way to sing it. It's tough to describe it, but he drew out each line in sort of in a piercing drawl. Most importantly, he appeared to be tickled with himself. Standing there smiling, so eager to sing the next verse as JJ fired out the song's basic chords...it was hauntingly magical. Everyone should get a tape of this performance! After leaving the show, I found out that Oasis had been there, sitting back near the soundboard. It was a great show for them to see. Now, a guest appearance...that would have been something. After the show, we visited the home of the Merseyside Dylan group. I'd like to say hello to any and all members. Thanks so much for being such wonderful hosts. I'm happy that your dedication to Bob was repaid by these Liverpool shows! June 29, 1996- Hyde Park, London Pill Box Watchtower 4th Street Tom Thumb Tangled Twice Silvio 7 Days Highway 61 Watching Ron Wood watch Bob made the whole show for me. He kept staring into Bob's eyes, as if expecting recognition. Bob sort of stared back and, occasionally, would nod, as if to please Wood, who would just keep on staring. They tried to share the vocals on 7 Days but, after one verse, they realized that it just was not going to work. I'd like to thank Bobby for wearing clothes that were pretty toned down...I thought he looked great! Perhaps he is beginning to care about his television image...then again, maybe the silver pants were at the cleaners. The show was as good as it could have been. It had all the makings of a disaster (a huge stage, television cameras everywhere, and tremendous monitors just above the stage), but Dylan treated it just like any other show. It's scary, but I was actually excited to hear Silvio in the second set. I'm not sure which songs are on the TV broadcast, but Tangled was particularly nice. July 1, 1996- Munster, Germany Drifter's Sugaree Watchtower Simple Twist Takes A Train Silvio Boots John Brown Mama, You've Been On My Mind Maggie's Thin Man 5 Believers Alabama Ain't Me, Babe Rainy Day We arrived at the concert hall just before the doors opened so I did not have time to find out anything about the show. I ran into the concert hall and positioned myself, on the rail, just between where I expected to be Bob and JJ. It took about two minutes before I realized that the stage was set up for an opening act. Looking up, I saw a box that had written on it Dave Matthew's Band...I couldn't believe it. For that first show I was more excited to see them than Bob. No one in the audience believed me when I tried to explain how big they are over here. Anyway, I was in heaven. The show was average (Bob's show, that is). As explained by Homer, Drifter's was hilariously bad. Every time that JJ started a wailing solo, Bob would start to sing the next verse. Simple Twist, however, had a very nice, solo, intro. by Bobby, while, during Takes A Train, our hero put his pick in his mouth and played the guitar with his fingers. Bobby did forget the words to Thin Man and looked quite annoyed with himself. Perhaps he remembered how good it had been in Liverpool. July 2, 1996- Rosengarten, Mannheim Down In The Flood Peggy-O- Watchtower Be Your Baby Black Coat Silvio Hollis Brown Gates of Eden Ramona Everything is Broken What Good Am I Seeing The Real You Alabama Back Pages Rainy Day Personally, I was a bit let down that the Rosengarten was inside. Anyway, I had more fun at this show than just about any other. Down In The Flood was awful and brought back memories of Drifter's from the night before. Bob just decided not to sing into the microphone for the better part of the song. It was actually sort of funny. However, it all turned around at Peggy-0-. Slow and beautiful, it was as perfect as you could ever hope for. Each verse was sung clearly and relatively quietly, Bob was not screaming. Hollis Brown was one of the greatest songs that I have ever seen at a Dylan show. I've checked the lyrics book, and Bobby sang every verse (with one slight change). The crowd was silent, and, personally, the performance was as meaningful to me as Visions at the TLA. I was so stunned and overwhelmed, that I just stood there, completely still, trying to take it all in. I learned many words as Bobby sang them. It was one of those moments that I'll just never forget. Lastly, I should say something about Everything Is Broken, and What Good Am I. Each was sung with new/different words. I don't think that Dylan forgot the real words, but just made some substitutions. That is to say, it was not Bob mumbling strange/seemingly pointless syllables, but him inventing new complete, fitting phrases. Broken was interesting because he now sings "It seems like everything is broken", not just "everything is broken". If there is one thing I've learned as an English major, it's that this can be viewed as quite a significant change. If it was Whitman or Eliot, one could say they were discussing the modernist theme of the relationship/gap between reality and perception. That is to say, maybe in Bob's mind, everything is no longer broken, it just seems that way. Then again, maybe he just forgot the real words. You can choose for yourself. July 3, 1996- Zeltfestival, Konstanz Down In The Flood I Want You Watchtower Shelter Riverflow Silvio Tambourine Masters One Too Many Mornings Maggie's I'll Remember You Broken Alabama Times Rainy Day It would have been harder for them to find a smaller tent to play the show in. It was half the size of the Tempodrom. However, there were no poles between me and Bobby, so life was good. The soundcheck contained Most of the Time. After a brilliant set by Dave Matthew's, Dylan took the stage and delivered what some considered to be one of his best shows, and others considered one of his worst. I encourage everyone to see the garrulous Andrew Muir's review of this show. From down in the front, where the acoustics weren't so great, it seemed like an awesome show. From farther back, people said Bobby sounded tired and confused. Whatever the case, there was a tremendous amount of excitement when the fiddler from the Dave Matthew's Band joined Bob for Maggie's....I'll stop there, just see Homer's review (it's better than I could ever do). Oh yeah, once again it "seems like everything is broken..." July 5, 1996- Piazza Costello, Ferrara Drifter's Lay Lady Lay Black Diamond Bay Just Like A Woman Riverflow Silvio Tambourine Masters Mama, You Been On My Mind Knockin' On Heaven's Door Thin Man Maggie's Ain't Me, Babe Rainy Day This show was my worst ever experience at a Dylan concert. It made Frankfurt seem like the second night at The Supper Club. Dylan totally screwed up the words to Lay Lady Lay and spent the whole second half of the show just yelling something at Jackson (who just nodded, smiled, and kept doing the same thing that was bothering Bobby). It was painful to hear Riverflow again. An acoustic/electric Heaven's Door would have been a nice surprise but, by that point, the show had been so bad that I just didn't care anymore. Overall, it was just an awfully boring setlist, and a bad performance. The setlist contained a whopping zero alternates (giving us all the idea that Bobby had given a lot of thoughts to what he was gonna play...yeah sure...it sounded a lot like a "Tony, find me thirteen songs that people can sing along to and arrange them in a fitting order" kind of night.) It did list Alabama, but I assume that Dylan chose to do only two encores because he was upset with how the show had gone. The piazza Costello was a beautiful square in the middle of town. Up to that point, the most beautiful place I had ever seen for a concert. To say that the show was a disappointment is quite an understatement. All the screaming fans did not help things. I am not trying to generalize, I'll just say that the fans at the Ferrara and Pistoia shows were very loud and emotional. Forget simply singing along, you couldn't go two minutes without someone screaming something at Bob (usually right in the middle of an acoustic song). The fans around me spent more time yelling at each other, than listening to Bob. This made it very hard to focus on the show (luckily it wasn't one of the great ones!) Lastly, the soundcheck was far more interesting than the concert itself. Full versions of Tombstone Blues, Unbelievable, and Stealin' (JJ on vocals for all) were far better than anything Bob played that night. Oh yeah, he didn't really play that treasure from Desire in the three slot...I was just seeing if anyone was still paying attention. June 7, 1996- Pistoia Blues Festival Drifter's Sugaree Watchtower 4th Street Riverflow/You Go Your Way (the only alternate) Silvio Tangled Hard Rain Ramona Maggie's Thin Man Real You Ain't Me, Babe Rainy Day The best thing to say about this show is that I was much better than Ferrara. The 4th Street/Riverflow duo was hard to swallow, and the second electric set was quite boring, but Hard Rain made the night for me. Dylan sang six verses and, what was most interesting, was that he sang the first five one way, and utilized a totally different vocal pattern for the sixth. Once again, it is very difficult for me to explain what I mean (get the tape!). It just seemed that the first five verses were sow, almost tender, while the sixth was harsh and biting. At this point in my journey, I was losing faith/love for Bob. The setlists were becoming quite ordinary/predictable, and the performances varied from lousy to just about average. I was beginning to question how much Dylan really cared about the shows...then came Udine... July 8, 1996- Villa Manin, Passariano (near Udine) Down In The Flood Senor/Man In Me Watchtower Big Girl/Simple Twist You Go Your Way Silvio Tambourine Masters/Visions Don't Think Twice/Baby Blue Jokerman/Broken I Shall Be Released/I Believe In You/Shelter 5 Believers/Highway 61 Back Pages Rolling Stone Rainy Day (I have included the alternates because no cue sheet for this show appears on Bill's page. Abbreviations are my own. What was actually played is listed first. Rolling Stone was listed above Back Pages on the cue sheet.) The Villa Manin was the last summer residence of the Doge (sp?...help Stephan) ruling family. Forget about being the most gorgeous place for a show, it was one of the most breathtaking buildings/structures that I have ever seen. It put Ferrara to shame. The stage was set up in front of the central building/castle. The seats were arranged the grassy courtyard, which was, of course, enclosed by a covered, horse shoe shaped walkway on both sides. The town of Passariano was just one or two streets, and just outside the castle were acres and acres of vineyards. It was, in a word, magical. The show matched the venue in terms of beauty. The rain cleared up about an hour before Dylan took the stage, and it turned into a perfect summer night. There was, quite simply, no low point. It was one of those nights where you just sit there an realize that it can't get much better. Each song was sung slowly, seemingly carefully, and usually flawlessly. I was so busy thanking God for the setlist variations that I just lost myself. You Go Your Way had the same arrangement as 1995, but the vocals seemed much clearer. Everyone who knows me is aware of the fact that, while some people got to the shows to see the classics, I am never happier than during Jokerman (Disease of Conceit and License to Kill being my other two favorites...I know it's skewed, but what can I do?) The stage rush occurred during I Shall Be Released (the first solo version of this song since 1995). The encores were something to see. The setlist listed Rolling Stone before Back Pages, but initially, Dylan decided to skip it. As he came out to do a second encores, the crowd, in unison, started chanting "Like A Rolling Stone, Like A Rolling Stone". It seemed that he had planned to play Rainy Day, because he said something to Tony (presumably to play Rolling Stone) , who passed along the news to all the other band members. In any case, the version was as slow as the one on Unplugged. I was in awe. July 9, 1996- Sportshalle, Salzburg Pillbox I Want You Watchtower Simple Twist I Don't Believe You Silvio Boots John Brown Hattie Carrol Tombstone Blues This Wheel's On Fire Mobile North Country Rainy Day Due to poor weather, this show was moved inside a tiny sports hall. Most of the stage was still in the Domplatz, so Dylan was only a few feet off the ground. It was quite freaky being almost the same plane. Hattie Carrol was the most obvious highlight of this very good show. Unfortunately, Bobby messed up the last verse and sang, "Take the rag away from your face, now is the time for your tears." Anyway, it was so nice to hear it that I really didn't care. This Wheel's on Fire was great to hear, but not on the same level as in the US. Zimmy switched the order of the verses, and seemed confused about when to play his harmonica. He kept staring at Jackson, who just kept on playing. Once again, I was too busy thanking God that he was not playing Thin Man to really care. July 10, 1996- Schloss Tambach, Tambach Flood If Not For You Watchtower Tears of Rage Be Your Baby Silvio Tambourine Desolation Twice Sweet Marie In The Garden 5 Believers Back Pages Rainy Day Oh My God, that's not a screwed up version of If You See Her, it really is Sweet Marie...hold the presses, go call Bill Pagel...this is monumental/unbelievable...Christine Consolvo would be in tears (of joy)...those were my thoughts as the second electric set began. In line with the amalgam theory, Sweet Marie sounds a bit like If You See Her. It is, however, much faster and, in my opinion, done quite well. Desolation was definitely the highlight of this show. While Bob did not break down in tears while singing "He was famous long ago", it was an extremely clear and passionate delivery. Just one of those versions that makes you look up from your popcorn and realize that something special is going down. For those interested, Bobby wore his winter/preacher wear at this show. His black pants and a long, embroidered black jacket, white shirt, and black tie, brought back memories of 1994. It seemed rather fitting that he played In the Garden. The cuesheet listed Matchbox as the first encore. July 12, 1996- Stadthalle, Magdeburg To Be Alone With You Lay Lady Lay Watchtower 4th Street Takes A Train Silvio Hollis Brown Gates of Eden Tambourine Jokerman Rolling Stone Sweet Marie Times Rainy Day Dylan walked on stage smiling...that's right, smiling. We all just assumed that he had forgotten that he was in Magdeburg. To Be Alone With You sounded faster than the 1995 version, but I'm not really sure. After it, Dylan slapped five with JJ. He seemed so tickled with how it had worked. He must have noticed how difficult it was for JJ to provide backing vocals (he just couldn't figure out exactly when to sing...it was only one line per verse or so, so maybe he was congratulating him or something.). They slapped five again after Takes A Train (during the song, Dylan just cracked up and started to laugh). All in all, it was a very strong show, with Bobby in his finest mood of the tour. During Rainy Day, he took his guitar hero posturing to the limit. Smiling and strutting, he looked as comfortable as ever. Afterwards, he slapped five with many in the front row. Once again, it seemed like an American show (and a damn good one at that!). July 13,1996- Hamburg Pillbox If You See Her Watchtower Be Your Baby Silvio Hollis Brown Tangled Rolling Stone Maggie's Ain't Me Babe Rainy Day Typical festival set (Bob was opening for Neil Young). Dylan once again walked on stage smiling. Otherwise, a relatively standard, good performance. Not really much to say. July 14, 1996- Stadthalle, Cottbus To Be Alone I Want You Watchtower Just Like A Woman Pledging My Time Silvio Boots John Brown Tambourine Jokerman I Believe In You Memphis Blowin' In The Wind Rainy Day This show was weird in that it had some very high points, and some very low points. To Be Alone was even better than Magdeburg (it was weird to hear it a second time in the same year!), while Just Like A Woman and Pledging both really rocked. Boots was also very nice. There was another high five with JJ (after Watchtower).On the other hand, Zimmy bombed Memphis. He forgot the first line of the song, and then, later, mumbled that "grandpa died last week, they buried him in the sand"...he had no second line to rhyme with this one. All in all, his voice sounded tired and worn out...the three days off following the show were a good idea. The intro. to Blowin' provided the last of those classic "what the hell is he doing, I hope somebody capable is taping this" moments. It consisted of first JJ, then Bob playing single notes up and down the guitar. It was damn weird. It seemed that when JJ finished, Bob nodded and then did practically the same thing. At first I just thought that JJ was tuning his guitar, but Bob was nodding his approval. Personally, I was just waiting for them to begin Arthur McBride. And so ends my diary/review. It was one hell of a trip, and Dylan put out some very strong shows. Obviously, if anyone has any questions about anything, please email me. I would like to thank the following people for making my trip so enjoyable: Bobby, Stephan, Christine, Dangerous Daniel, Heinrich, Big Frank, Homer, Joe, The Chopper, UK Ray, Janeena, Giulio, Andreas, John Jackson, Elizabeth Cotton, Jim Callahan, Robert Hunter, Al Santos, Jewels, Stefan Haras, Marion. Danke, Josh "Thanks for coming Bobby...thank you...Bobby, Bobby, Bobby!" "No loss of generation..."
Tour Dates Calendar Expecting Rain